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Chops (The Ultimate Guide to Building Tone, Technique and Flexibility) - Trombone, by Frank T. Williams
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Chops: The Ultimate Guide to Building Tone, Technique and Flexibility is a thorough method for brass instruments written by Frank Williams, one of the most respected brass pedagogues in the world. These exercises are not glamorous, but they are the vegetables that all brass players must eat in order to improve their tone, technique and flexibility. This is a one-of-a-kind collection of exercises and insights into mastering the skills necessary to be a solid player on a brass instrument. Williams students are living proof that these exercises work, ranging from private students, high school bands, award-winning drum and bugle corps, current composers, band directors, and professional musicians, including Mike Roylance, tubist for the Boston Symphony Orchestra. With diligent work, Chops will help current students succeed too.
- Sales Rank: #2296037 in Books
- Published on: 2012-09-15
- Original language: English
- Dimensions: .0" h x .0" w x .0" l, .0 pounds
- Binding: Sheet music
- 64 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
A rather interesting guide towards professionalism.
By Amazon Customer
The book has a really nice structure overall. I really don't understand why the section JAZZ TURNS/ADVANCE FLEXIBILITY had practically the same exercise. In any case, thanks is and exercise that can be easily transposed into all twelve keys anywhere on the horn. Therefore, there should been at least four more variations of jazz turns on there. Also,
2 of 3 people found the following review helpful.
Great concept: but needs revision
By JPS
The book contains some helpful text in the beginning, and the rest of the book provides a variety of skill builders including long tones, lip slurs, tonguing exercises, scales and arpeggios. The range of notes goes from low pedal notes all the way to 4 ledger lines above the bass clef staff. Which makes it suitable for the intermediate to advanced player. The wide pitch range and lack of a logical progression in difficulty make it not well suited for a beginner.
There are some obvious errors in the way the book is laid out, with redundant exercises and omitted ones, missing accidentals, and other sloppy mistakes and oversights. This edition is worthy of a first draft, but not a published book. It is unfortunate, because there is a need for this type of book for trombone. Perhaps there will be a revised & improved edition in the future. I think it could be expanded into a much larger book, as long as more care is taken to do things right.
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